This Day In Music - 23rd September
Posted On 23rd September, 2012 @ 00:00 am by

This Day In Music, James Blunt scored his second UK No.1 album with 'All The Lost Souls.'

All the Lost Souls is the second studio album by James Blunt, released on 17 September 2007. It is the follow-up to his hugely successful 2004 debut album, Back to Bedlam. The first single released from the album was "1973", which started radio play on 23 July 2007. Several songs on the album were performed at live shows during his 2006 tours, including "1973", "I Really Want You", "Annie" and "I Can't Hear The Music". His touring band, consisting of Paul Beard (keyboards and vocals), Ben Castle (guitar and vocals), Malcolm Moore (bass guitar and vocals) and Karl Brazil (drums andpercussion), backed Blunt on the new album. Tom Rothrock returns as producer; Rothrock also produced Back to Bedlam. Blunt also performed the song "Same Mistake" during his performance at the Live Earth concert in London. The album received mixed to positive reviews, and peaked at Number 1 in over twenty countries.



The album received mixed reviews from critics: At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album has received an average score of 53 out of 100, which indicates "mixed or average reviews", based on 21 reviews.


Kerri Mason, reviewing for Billboard, gave the album a positive review, saying that Blunt "shows the abandon and confidence of a long-term artist, not just a one-hit wonder". She continued "[he] still dwells on moody, introspective midtempos. In other words, he still adheres to the Gray template the second time around, but he opens things up slightly with some spacy textures reminiscent of Coldplay and a heavy dose of classic popcraft" and finished the review saying "This makes All the Lost Souls soothing, not haunting."


Liz Hoggard of The Observer gave it four stars out of five and called it "a terrific album". She praised "the dissonant guitar chords to the curly-wurly typography on the album cover. The anthemic 'Shine On' is exquisitely crafted while 'I Can't Hear the Music' hooks into your brain with its James Bond-style orchestration" and finished saying "But snobbery apart, this is a terrific album."


NME was less impressed, saying, in a four out of ten review, that "Britain prayed James Blunt would retire, renounce music and go burn £50 notes for fun in his mansion" though continued "He’s only gone and come back. And improved, actually: we counted two more hits than Back To Bedlam."


Mike Joseph of PopMatters also gave the album four out of ten, and said in part: "Not to say that this album is awful, but there’s definitely something lacking here. Blunt’s voice is quite the acquired taste, and nothing on here really stands out or connects from a thematic or lyrical standpoint. Nothing really hits the heart; it’s all very precise and workmanlike."


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